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mercoledì 21 agosto 2013

"C" for "CATHERINE"



The Mystic Marriage of Saint Catherine of Alexandria (c. 
by  Italian Artist Parmigianino


In times gone by olive picking in Italy began on November 25th the Feast day of St. Catherine of Alexandria, who is the Patron Saint of Ceramicists, a popular Saint in the Renaissance period.  Although olive picking starts earlier in November nowadays, St. Catherine's is still celebrated - exactly one month before Christmas. 

St. Catherine of Alexandria has been painted in many churches in Italy and by famous artists such as Parmigianino and Raphael. The Saint's symbol is a barbed wheel with which she was originally tortured but saved by angels.


In times gone by olive picking in Italy began on November 25th 
the Feast day of St. Catherine of Alexandria,










St. Catherine of Alexandria in the Renaissance period was considered an inspirational model. Her life is described in the famous "Legenda Aurea" (tr. Golden Legend, a best seller in the Renaissance written by Jacobus de Voragine about the life of Saints) and remembered for her mystical marriage at the hands of baby Jesus. 

Recently I saw paintings and frescoes of St. Catherine of Alexandria in the Cathedral of Saint Nicholaus, Pietra Ligure (Savona) ~ Co-Cathedral of Ostuni (Brindisi) ~ Hospital of the Innocents, Florence 



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This is my third post of short stories entitled "Cake Stands for Cama": stories about my favorites starting with "C".  I hope you enjoyed it! 







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mercoledì 14 agosto 2013

"C" for "CHAMELEON"


In the Renaissance, the Chameleon was the symbol of Air. 

A few years ago I started the tradition of regularly traveling to Florence by train to visit the city. I have visited many places in the city so far: museums, churches, exhibitions, and each time I come back home feeling fulfilled. I am currently following the city of Florence on Facebook and Twitter for updates regarding temporary exhibitions. The last exhibition I saw was "Alchemy and the arts" which enabled me to complete research I originally started in Palazzo Vecchio. 

Indeed Palazzo Vecchio is my favorite historical building in the city, home of Cosimo I de' Medici, grand duke of Florence in the Renaissance period. This is where I discovered my greatest find: the studio of Francesco I de' Medici, Cosimo I's son. By looking up at the ceilings I noticed the four elements of the universe translated into symbols. With much joy, I saw the chameleon next to a rainbow. It was the symbol of air. 

Sometime before I had already chosen the chameleon as the mascot of Cama, because of the similarity of their names. Additionally, the chameleon adapts perfectly to its environment and can explore the world 360 degrees thanks to its eyes. Plus it has extra strength that comes from the lion in it. Our chameleon is made of the colors of the rainbow and is a girl! 



This is my second post of short stories entitled "Cake Stands for Cama": stories about my favorites starting with "C".  I hope you enjoyed it! 








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lunedì 12 agosto 2013

"C" for "CHANEL"

Pink is the color that comes to my mind
when I think of Chanel n.5




The refined town of Piegaro in Italy is twin city with Verneuil-en-Halatte, France where the famous Chanel perfume is produced. Piegaro at one time was also known as 'Little Paris' so this makes this event very romantic. 

The most wonderful compliment I ever received about my family's workshop is that of Cama - Chanel of Deruta. I will never forget it. Therefore such coincidences in my life along with other ones started to make me dream about a future in this tiny town where destiny had brought me out of the blue. 





Innovations
Before 1921 perfumes were made from the essence of single flowers.
Madame Chanel created the first bouquet of flowers, eightly of them. 







Regarding the subject of innovations, Madame Gabrielle Chanel with her Chanel n.5 invented the concept of perfume that we know nowadays, a bouquet of flowers. Before Gabrielle Chanel perfumes were made from one flower essence only. Because of the fact that the rose was way too romantic as an essence she ordered her personal parfumeur not to take roses into consideration, on the contrary he  included the rose to a bouquet of about eighty selected flower essences including mostly musk and jasmine.




 
My moving to Piegaro, Italy came out of the blue. 

  


This is my first post of short  stories entitled "Cake Stands for Cama": stories about my favorites starting with "C". 
















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sabato 3 agosto 2013

Cake Stands for Cama

"Cake Stands for Cama": my play-on-words originating from the expression: "C" stands for Cama.

Soon on this blog a collection of ten short stories regarding people, emotions, facts, things, imaginary animals starting with "C" like in "Cama". These stories include notes of my dreams and my studies regarding Italian Renaissance Art. I wish you to enjoy my path of rebirth bringing new life to Cama. 


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mercoledì 31 luglio 2013

Cama's True Colors



St. Catherine of Alexandria, St. Patron of
ceramicists, painted by Raphael circa 1508,
National Gallery, London





Note

During my researches I discovered something very interesting about the meaning of colors. I wrote a post about this subject some time ago, describing a classical Renaissance painting by Raffaello, the St.Catherine of Alexandria, Saint Patron of ceramicists and celebrated every year in Italy on November 25th. 


Gemstones are the symbol of earth in
the Renaissance period. 





















In this painting we can see the classical colors in the patterns of the Deruta Renaissance period, next to the undermentioned gemstones, the symbol of earth, you will see I have noted the gemstones color together with their significance.

Ruby (red): charity, love, abundance;
Pearl (white): purity;
Emerald (green): beauty, the eyes of Venus;
Rock crystal: knowledge;
Diamond: strength;
Sapphire (blue): celestial purity, peace;
Topaz (yellow): friendship. 


~ proofreading by A.S. 
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mercoledì 24 luglio 2013

Time for Action!



The famous painting on the ceiling of the house of Mr. Giorgio Vasari 
in Arezzo, Italy: "Allegory of Virtue  chasing away Fortune and Envy"  (1548) 


Sir Giorgio Vasari (1511-1574)  is one of the most important art scholars of the Renaissance period in Italy. Artist and architect of the Palazzo Vecchio in Florence, admired by Cosimo I de' Medici, Sir Giorgio wrote a memorable biography of artists.  The first edition in 1550 was dedicated to the Duke of Florence. 
Giorgio Vasari was born in the city of Arezzo where his residence and gardens are now a State Museum. 
The triumph of Virtue is sealed
by a luxury brooch

In the main room of Vasari's beautifully painted home in the style of Palazzo Vecchio, where he received his guests, an allegorical fresco on the ceiling reassures us that Virtue wins over everything, even over Fortune, which is subject to unreliable changes. Virtue wins also over the pitfalls of Envy, to whom Virtue is giving a powerful kick while grabbing fortune by the hair. 
Virtue for the Renaissance period was the art of doing things well:  it was a specific gift acknowledged to artists, whose destiny was subject both to envy and fortune.  Virtue is the only allegory provided with wings that make her fly towards the horizons of eternity. Virtue is also carrying a sledgehammer in her hands, so be aware she is tough, her laurels give her much power. What is missing in this painting is Virtue's triumph and this is the last step of Virtue's endeavor. 
Giorgio Vasari himself was the author of this allegory and this painting is an invitation to be fearless, to believe in our gifts, and take risks: in the end, it's all good! 
Brooches in the Renaissance
were a symbol of virtuosity
 

A Cameo from the Piccolomini Library
in the Cathedral of Siena, Italy
by artist Pinturicchio, the artist of
details. 




















Curiosity: take the time to look for details in Renaissance paintings. When you see a brooch both on men and women it means it is a virtuous person. Brooches on hats are the most interesting ones!











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sabato 13 luglio 2013

SailingTortoises and wind-filled Veils

'Make Haste Slowly': Detail of the tortoise and the veil
from a fresco in Palazzo Vecchio, Florence



The most famous oxymoron in Italy is Festina Lente (tr."Make haste slowly") that Cosimo I de' Medici selected as his personal motto when he became Duke of Florence.  


Detail of the tortoise and the veil in the portrait of Cosimo I
de' Medici in Palazzo Vecchio, Florence.

In the Renaissance period, important people used to describe their personality through the so-called 'Impressum' (tr. maxim), a coat of arms that represented their philosophy. 

The classical description of the motto 'Festina Lente' is an invitation to take action without hesitation but with wisdom and care, two opposite directions converging in one state of mind, the perfect solution to manage speed and slowness.  

I have been to Florence many times and noticed marble tortoises everywhere. In Palazzo Vecchio, tortoises are in frescoes, marbles, writings on entrance doors. There are about one hundred of them! 

Tortoises are the symbol of slowness and the sea sail is the symbol of action.

By looking closer at the tortoises, the so-called sea sail, I noticed that I had seen this sail in another town that I love: Fano. The goddess of Fortune carries the same sail, well it is not a sail but rather a VEIL.  
The original statue of the goddess of Fortune in Fano, Italy
by Donnino Ambrosi (1593)


The goddess of fortune carries this veil because her presence in our life is subject to change quickly, this is why it is important to catch opportunities fast, fortune changes like the notion of the wind on her veil, it can be favorable as much as adverse if we do not catch it on time. 

The Goddess of Fortune in Fano, Italy on top
of the fountain in the main Piazza.
The name Fano means 'temple of fortune'



















The fact that the symbol of action is not a sea sail but a veil is very clear in the details of the original frescoes in Palazzo Vecchio as shown above. Nevertheless, we may find several paintings of the motto with a tortoise and a sea sail, which is a second step and takes us away from the origins and the source of inspiration to action - therefore Fortune!     

My intention is not to change this famous motto's translation which originally goes back to the classical ages of Emperor Augustus as described by Latin writer Gaius Svetonius Tranquillus (circa 69 - after 122 A.D.) but rather give meaning to act as a consequence of a way of seizing fortune.  I believe that the veil on the tortoise is the symbol of fortune that arrives right before taking the plunge in the open sea.  That's exactly when we need a strong sea sail because we will be in charge of the direction of our life, experience, or endeavor.  


Entrance doors in Palazzo Vecchio with the writing 'FESTINA LENTE'

When catching fortune at the right moment all doors will open up to us and all red lights will turn green.  Much work and discipline are required to meet fortune, easy fortune does not last long. 

Fortune favors the bold and the tortoise looks like a tough cookie. 








(to be continued...) 


proofreading by A.S. 
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mercoledì 3 luglio 2013

A Matter of Perspective

Deruta's crest: a tower with the rue plant on top of it
with Perugia's griffin next to it, a gift of the town of Perugia. 


We finally made it: Deruta is almost destroyed. The Latins said 'Nomen est Omen' (tr. Omen is a name), since I was a little girl I have read and heard that the origin of the name 'Deruta' meant 'destroyed', in ancient Italian: diruta, direpta.

We had never thought about the importance of the town's name. We have completely forgotten the lessons of our ancestors, they were very wise and positive.

I am wondering how we have become so pessimistic in Europe, we always go for the negative interpretation of things, maybe in times of recession, it would be a better idea to change our perspective. This is the reason why I am researching my inspiration in the Italian Renaissance period leading me back to the classical ages, thinking positively as much as I can.

detail of the plant of the rue
on top of the tower
In these past four years and a half, I have assisted in the decline of the town of Deruta, I am aware of all the reasons that have caused such a decline and I have much to say about it. As a matter of fact, I can really be of help to recreate something interesting. I have made attempts to help other businesses without success and now know what I can do and not do. Now it is time for action, I am very reactive to this situation in a very positive way. My strength comes from the fact that Cama, my family workshop, is still alive in my heart, their heritage is very valuable and I am now carrying a treasure of beauty and values within myself. In recession times this is very favorable to travel light!

My first question is: where would an entrepreneur start the restoration of a company in terms of logistics? From the workshop's name. Let's do the same with the town of Deruta.

So, the priority is to change the story about the TOWN'S NAME, let's go for DE - RUTA  (literally from rue, made of rue), the wonderful healing plant of the Renaissance. Rue: the ornamental plant standing on top of the tower and next to the Gryphon. The latter is the official crest for the city of Perugia but which Deruta received at a later date from Perugia, as a gift.

Portrait of Perugino in an exhibition running now in
Perugia. 
Proof question: Why would rue be on top of the crest's tower, which represents Deruta as a castle if the rue were a negligible symbol? If the origin of the name were destroyed we would have a tower in pieces, a puzzle of ceramic pieces, which is actually the situation of the town at this moment. This is telling us that we are on the right path.

As a matter of fact, some time ago out of curiosity I did research about the rue and found out that this plant n the Renaissance period was considered as a healing plant. Rue helped relieve people from the sores of the plague which had haunted Europe for decades. One of the greatest Italian artists of all times, Pietro Vannucci known as Il Perugino died of plague in 1523 and is buried in Fontignano near Città della Pieve where he was born. I go and visit his tomb once in a while as I am very thankful to Perugino. Without him, we would have no Ricco Deruta and no Raffaellesco patterns, this latter created by Raphael, a pupil of Perugino.

Perugino lived a long life for his time, he was 75 years old when he died. In 1478 he painted a beautiful fresco for the Church of Deruta which was an ex-voto, a thank you painting for the defeat of the plague in the town of Deruta. It was ordered by the citizens of Deruta. When I was a little girl this fresco was in the Church of Deruta, afterwards, it was detached from the wall and moved to the town's painting gallery.

While I am writing about the rue and thinking of what I could add to this post, I wish to ask you if you have ever tried Italian grappa flavored with rue.  It tastes really good, it tingles your throat so nicely. There is a twig of rue inside the glass bottle of this beverage, that is where I could actually see the rue for the first time in my life. Leaves match perfectly the painting on top of the tower, they are true rue leaves.

(to be continued...follow me like the rest of 57,000 readers from all over the world, something good must happen out of this moving and shaking of mine)

Perugino, The Saints Romano and Rocco and Blessing God with a view of Deruta, circa 1477-1478,
Deruta Painting Gallery.  



                                                           

- Original Post by Roberta Niccacci -

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lunedì 17 giugno 2013

VISITING A UNIQUE HOME IN PERUGIA


Portrait of Queen Margherita of Italy (1881), It's a handmade and handpainted
glass window. Amazing! 



A couple of days ago I was part of a guided tour in Perugia with the subject of handmade glass windows.

This was a great opportunity for me, a wonderful introduction to the famous art glass windows atelier in Perugia, Moretti-Caselli.

The studio is located on the main road that takes downtown Perugia parallel to the famous Renaissance fortress called 'Rocca Paolina'.

Founder, artist Francesco Moretti (Perugia, 1833-1917), invented a technique that takes inspiration from the Renaissance. He painted on glass with the style of Perugino, Raffaello and Pinturicchio.

The perfect example of osmosis of the arts.

I was amazed when I entered the Moretti-Caselli museum. Location is unique. It is the last Renaissance home in Perugia, owned by the aristocratic Baglioni family. The studio itself is entirely preserved with ancient books, files, color bottles, tools and the original glass windows cardboards:  i.e. for the Cathedral of Perugia and the Church of Santa Maria degli Angeli in Assisi with rare sketch photos.

In the United States you may admire the art of the Moretti-Caselli studio in Glendale, California at the Forest Lawn Memorial Park. Here there's a copy of the Last Supper by Leonardo da Vinci created by two of Francesco Moretti's heirs: sisters Rosa and Cecilia Caselli  in the years 1925-1931. 

The Moretti-Caselli studio is still operating and available for special orders for churches, chapels , buildings and private homes.  




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martedì 11 giugno 2013

Leaving the World Behind

Deruta ceramics take inspiration from Renaissance art. Renaissance in its turn is an interpretation of the classical
ages; with the usage of talent, wisdom, engagement of the population of the 15th and 16th centuries through arts and crafts. We had a second Rebirth of ceramics art in Italy in the 1920s. It was called the Second Renaissance period.


Publishing a post-draft dated February 24th, 2013

Yesterday in the local newspaper a friend of mine who writes articles about the latest news from Deruta made me a great gift by publishing the writing of an entrance door to a villa belonging to a doctor of one of the most respected families of Deruta: Dr. Enea Magnini.

This morning I went back to Deruta for the polls and I visited downtown where I had an espresso at the coffee shops with my friends and looked for the villa in order to take a photo. I was impressed by the fact that I had never seen this villa with so much appreciation. I am more and more in love with the Renaissance culture and traditions, which revived in Deruta, in Italy, and in Europe in the 1920s and have left us such examples of ceramics art traditions.

The writing is the last part of an expression by Latin writer Juvenal and in Latin, it goes as follows:
"Protinus ante meum quidquod dolet exue limen" (tr. Lay your troubles down here before you enter my door"). The writing in capital letters is with the graces as per the tradition of the Roman ages, a trick so that the writing could be visible from far, same as the writings on marble on the facades of churches, cathedrals, and mausoleums and on top of the entrance Renaissance doors.



- Original Post by Roberta Niccacci -

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lunedì 28 gennaio 2013

The chameleon in the Renaissance



The chameleon is the symbol of air, one of the
four elements of the universe for Francesco I de' Medici 

I truly like the chameleon because it is the first animal I thought of as a mascot of my family's workshop. In Italian the word "Camaleonte" includes "Cama" and the pronunciation is similar in both languages [engl. kəˈmiːlɪən].

I like the Chamaleon because it is part of the Renaissance concept of the world. I started my research about Italian Renaissance curiosities in January 2009 because patterns in Deruta are inspired by the Renaissance. I have now fallen in love with the Italian Renaissance as a source of inspiration and rebirth for myself and for my family's workshop.


I first met a chameleon represented on a fresco in the studio of Francesco I de' Medici in Palazzo Vecchio, Florence which I invite to visit, upon the appointment of a museum guide only, the visit goes under the name of "Secret Rooms in Palazzo Vecchio".

In Deruta Renaissance works of art of famous Italian artists, paintings and frescoes (the noble art) were repeated on ceramics pieces used for serving at the table, for important gifts, and to embellish homes and chapels with colorful floor tiles for centuries with wellness for the single families and the workers but depriving the community of unity, encouraging competition and separation.

Rebirth will be possible in Deruta only and if ceramicists decide to help each other as if they were all poor like our ancestors did for their neighbors in the countryside in times of poverty. It is difficult to handle help when there is money involved and with it facing the risk of opportunists, games of power, fear, and failure but we should all find a reason for cooperating with mutual respect. It is important for Deruta to find a common field where everybody is the same and where people can think of the future within a united way of doing business as a friends-and-family experience: sharing, giving, working together for everybody's benefit, doing the contrary of which they have been doing for decades. Change is not something impossible, change is fun!





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